Hi, I know it's been a while, but I'm afraid the updates will be sporadic at best for a while. The college semester has started, and I've just got too much to get done to even try to make this analysis blog a regular thing. (As has become evident...)
So sorry for the late notification, but for the next few months this blog will mostly be on hiatus while I'm working on school. Because senior year is crazy, each post/analysis usually takes me about an hour, and I don't really have that much time to spare. (if I do, I've probably forgotten some homework)
Don't forget about TuTuTV, but don't expect much activity until closer to Christmas~
Leave comments with links to videos you find in the meantime, though, and I may add them to the list!
Thanks~
Thursday, September 18, 2014
Friday, August 29, 2014
Reflection
All you who love stories, gather round...
Song: "Reflection" (from Mulan) sung by Lea Salonga
Lyrics: metrolyrics
Theme: Rue/Kraehe Tribute
Spoilers: Yes
Review: First of all, props for song choice. I've loved this song since... well, I can't really remember when exactly, but in all its forms this song has resonated with me, and it is a perfect song choice for Rue. It really is a wonderful look into herself, her thoughts, her fears. And it fits with her.
That we begin with a view of Rue as Kraehe, reflected in Mytho's eyes, is great, and very telling. Not only is this a time when she is not who she thought she always was, in front of her beloved Prince, but she is realizing it. She realizes that her own self is not who she expected, who she wanted. She is forced to look, though, despite her hesitancy and worries.
I thought it was clever to use the 'wedding' scene with the lyrics about a bride, with her forcing Mytho back to her. The following scene with her as a child similarly fits nicely. The next few bits are done well, too; there's plenty of fearful moments for her later in the series to pull from, and the chosen pieces are good. (the little ballerina bit from 0:19-21 did kind-of feel like filler though)
I will say that the brief flash of 'recognition/sight' from 0:31-34, doesn't quite fit. The next line talks about her being herself, but the flash is of Mytho's hand/arm. Given the ample video to pull from if lyric matching was as important as the rest of the video seems to suggest, then this was not the best choice. It's slightly distracting.
I really like the interlude of Rue and Mytho dancing after the festival, though, especially with the lyrics about her being herself.
However, there are times when it would be good to not follow the lyrics so closely. 0:39-42 is a good example. It fits the lyrics, in a way, but so literally and ironically, I actually find it rather humorous. XD And that would be fine! If this were that type of video. But the rest of it is so serious and sincere, that this brief burst of humor makes me unsure if I should be laughing at it, even though I can't see it any other way. So that kind-of breaks the mood a bit.
Although, the immediately following bit with Kraehe is good - a question of Rue's identity faced with the overbearing presence of Kraehe. The next while does a very nice job showing the uncertainty of Rue/Kraehe, her frustration, her fear. It's interesting that Kraehe is who is defined as her true self, although really from Rue's view that is true. I love the bit at 1:15-18. Juxtaposition of cool and composed Kraehe against a wavering and wobbly Rue, in the Giselle episode. One, the allusion to the episode at that time, "though I've tried" [to hide who I am] is fantastic, because that's really when Rue starts to realize that maybe she isn't all she thought she was. She's starting seeing through her own self-deception, at least a little. And also the fact that the hiding is a futile effort. She's wobbling on her certainty of self, and she is going to fall, no matter how hard she tries not to. It's rather heartbreaking, actually. ;w;
And then we have adorable little Rue, crying out to be accepted... And possibly her visions for what she wants for her future, who she believes she really and truly is! A princess for her Prince!
And then, the Depths of Despair as she concedes to herself that it will never be..... ;_;
But then we get an awesome look at what she truly becomes, her true self inside, a ballerina princess with her prince! <3 ... Although with the ending feeling, it's more like another hopeless dream that won't come to be... ;w;
That is one thing. That ending clarity is rather rough, so I'm not sure exactly what the ending feeling was supposed to be - heartrendingly hopeless, or beautifully fulfilling? Still not entirely sure. :/
Quality-wise, the video was very nicely done. Most of the clips chosen were done quite well, and they flowed fairly well throughout the video. There were no effects really, that I could see, and while that didn't take away from the video, I do feel like at least a few smoother transitions would have added something more.
Overall, I really like this video. However, I don't feel like it's anything crazy-specialtacular. With a little bit more refining, perhaps, and getting rid of that ambiguity regarding atmosphere, I think it could be a better video. Mostly that scene with the Raven exploding. Because as humorous as I still find it, it doesn't fit the video's tone.
Overall Rating: 7.5/10
Song: "Reflection" (from Mulan) sung by Lea Salonga
Lyrics: metrolyrics
Theme: Rue/Kraehe Tribute
Spoilers: Yes
Review: First of all, props for song choice. I've loved this song since... well, I can't really remember when exactly, but in all its forms this song has resonated with me, and it is a perfect song choice for Rue. It really is a wonderful look into herself, her thoughts, her fears. And it fits with her.
That we begin with a view of Rue as Kraehe, reflected in Mytho's eyes, is great, and very telling. Not only is this a time when she is not who she thought she always was, in front of her beloved Prince, but she is realizing it. She realizes that her own self is not who she expected, who she wanted. She is forced to look, though, despite her hesitancy and worries.
I thought it was clever to use the 'wedding' scene with the lyrics about a bride, with her forcing Mytho back to her. The following scene with her as a child similarly fits nicely. The next few bits are done well, too; there's plenty of fearful moments for her later in the series to pull from, and the chosen pieces are good. (the little ballerina bit from 0:19-21 did kind-of feel like filler though)
I will say that the brief flash of 'recognition/sight' from 0:31-34, doesn't quite fit. The next line talks about her being herself, but the flash is of Mytho's hand/arm. Given the ample video to pull from if lyric matching was as important as the rest of the video seems to suggest, then this was not the best choice. It's slightly distracting.
I really like the interlude of Rue and Mytho dancing after the festival, though, especially with the lyrics about her being herself.
However, there are times when it would be good to not follow the lyrics so closely. 0:39-42 is a good example. It fits the lyrics, in a way, but so literally and ironically, I actually find it rather humorous. XD And that would be fine! If this were that type of video. But the rest of it is so serious and sincere, that this brief burst of humor makes me unsure if I should be laughing at it, even though I can't see it any other way. So that kind-of breaks the mood a bit.
Although, the immediately following bit with Kraehe is good - a question of Rue's identity faced with the overbearing presence of Kraehe. The next while does a very nice job showing the uncertainty of Rue/Kraehe, her frustration, her fear. It's interesting that Kraehe is who is defined as her true self, although really from Rue's view that is true. I love the bit at 1:15-18. Juxtaposition of cool and composed Kraehe against a wavering and wobbly Rue, in the Giselle episode. One, the allusion to the episode at that time, "though I've tried" [to hide who I am] is fantastic, because that's really when Rue starts to realize that maybe she isn't all she thought she was. She's starting seeing through her own self-deception, at least a little. And also the fact that the hiding is a futile effort. She's wobbling on her certainty of self, and she is going to fall, no matter how hard she tries not to. It's rather heartbreaking, actually. ;w;
And then we have adorable little Rue, crying out to be accepted... And possibly her visions for what she wants for her future, who she believes she really and truly is! A princess for her Prince!
And then, the Depths of Despair as she concedes to herself that it will never be..... ;_;
But then we get an awesome look at what she truly becomes, her true self inside, a ballerina princess with her prince! <3 ... Although with the ending feeling, it's more like another hopeless dream that won't come to be... ;w;
That is one thing. That ending clarity is rather rough, so I'm not sure exactly what the ending feeling was supposed to be - heartrendingly hopeless, or beautifully fulfilling? Still not entirely sure. :/
Quality-wise, the video was very nicely done. Most of the clips chosen were done quite well, and they flowed fairly well throughout the video. There were no effects really, that I could see, and while that didn't take away from the video, I do feel like at least a few smoother transitions would have added something more.
Overall, I really like this video. However, I don't feel like it's anything crazy-specialtacular. With a little bit more refining, perhaps, and getting rid of that ambiguity regarding atmosphere, I think it could be a better video. Mostly that scene with the Raven exploding. Because as humorous as I still find it, it doesn't fit the video's tone.
Overall Rating: 7.5/10
Tuesday, August 12, 2014
Danse de Raven
All you who love stories, gather round...
Song: "Le Bien Qui Fait Mal" by Mozart L'Opera Rock
Lyrics: lyrictranslate
Theme: Characters and their struggles; mainly Mytho and Kraehe/Rue
Spoilers: Yes
Review: First off, amazing song choice. This is a captivating, no, gripping song that takes you by the hand and twirls you headfirst into the introduction. The video plays very well with this, the slightly vague yet consistently in motion references to how everything started keeping pace with the song. There's 'The Prince & The Raven,' Drosselmeyer, and Princess Tutu from the opening sequence. Very aptly used, and the sequences themselves flow beautifully! Then throw in Kraehe and Fakir, and as you see Drosselmeyer grinning, you know everything is in place for his main production.
Looking at the lyrics (in translation, or just feeling the inherent off-kilter energy), you know first off that this has incredible connections with Mytho, especially as the series progresses. "Now where does this strange feeling/ come from/ that fascinates me/ just as much as it disturbs me?" And then some close ups of Mytho as he's getting more mixed up with the Raven's blood: "And I feel joy in the pain/ I intoxicate myself with this poison/ until it makes me lose my mind." The last bit as we see Rue confront a full Raven!Mytho. Wow.
And the chorus repeat is a great theme: "It's the good that causes the pain..." This can be applied to so many characters: Mytho notably, with regaining his heart shards/emotions but also increasing with the Raven's blood's influence; Rue in wanting so desperately to keep Mytho for love but her efforts are only making matters worse; Fakir trying to protect Mytho but finding his efforts thwarted at every turn; Duck just trying to help... I admit I'm happy the focus was more on Mytho and Rue/Kraehe, as they fit this song so barking perfectly, but the fact that the others were also involved but only minimally, Duck hardly at all, made me a bit disappointed. I feel like it would have been nice to see some references to Duck's problems. We only see very brief glimpses of Fakir's. If the focus had only been on Mytho and Rue, then I wouldn't feel like I missed out on some possible awesomeness. While a general video about them all is nice, I don't feel like the clips were distributed evenly enough to give them all justice. But that said, what was done was done really quite epically.
I will say at 1:16-19, the clip with Fakir and Duck as Tutu, is pretty, but... a bit out of place. While watching it the first few times, I was too awed to really notice, because the flow is still beautiful. But analyzing more, this clip just seems put in there as cool-looking filler. Which it succeeds at. But it's still filler.
And then we get to Kraehe's solo. Gah. I love this. The voice really fits her quite well, and the clips used are great. Then the words... "I can feel/ a violent urge/ ...I adore/ having it under my skin."
Unfortunately, I'm running short on time, so I shall have to summarize some of the rest. I love the bit near the end, starting at 2:29. There's intermittent clips of Rue in the Depths of Despair and Fakir's tragic past. Gah. I just... *hand motions* And then it goes into the craziness of the Finale... Aaaggghhh. 'Love' does not express my feelings enough! <3
(and of course, Drosselmeyer at the end being him... all "Yeeesss the good does come from the bad, and where would you be without the bad? Aren't you glad I gave you all I did?" *glare*)
On to the video in general, this is fantastically created. The tune of the song gives the impression of a manic obsession that isn't the healthiest to be pursuing, and that image is conveyed through the video usage very well. The pieces of the show used get across the whole 'this is supposed to be good for me' or 'I want and need this' while still conveying this may not be the best idea. Mytho, Rue/Kraehe, Fakir... I would have liked to see a bit more usage of the idea with Duck, like when she sees Mytho after he regains Fear, but it's a minor quibble. The quality of the video is wonderful as well, as all pieces are timed perfectly. The inherent movement of the series, the dance everywhere, goes beautifully with the ever-shifting beat of the song, as it's a song that demands movement at all times. When calmer scenes are used, then the video editing/transitions make up the difference.
Overall Rating: 9.5/10
Song: "Le Bien Qui Fait Mal" by Mozart L'Opera Rock
Lyrics: lyrictranslate
Theme: Characters and their struggles; mainly Mytho and Kraehe/Rue
Spoilers: Yes
Review: First off, amazing song choice. This is a captivating, no, gripping song that takes you by the hand and twirls you headfirst into the introduction. The video plays very well with this, the slightly vague yet consistently in motion references to how everything started keeping pace with the song. There's 'The Prince & The Raven,' Drosselmeyer, and Princess Tutu from the opening sequence. Very aptly used, and the sequences themselves flow beautifully! Then throw in Kraehe and Fakir, and as you see Drosselmeyer grinning, you know everything is in place for his main production.
Looking at the lyrics (in translation, or just feeling the inherent off-kilter energy), you know first off that this has incredible connections with Mytho, especially as the series progresses. "Now where does this strange feeling/ come from/ that fascinates me/ just as much as it disturbs me?" And then some close ups of Mytho as he's getting more mixed up with the Raven's blood: "And I feel joy in the pain/ I intoxicate myself with this poison/ until it makes me lose my mind." The last bit as we see Rue confront a full Raven!Mytho. Wow.
And the chorus repeat is a great theme: "It's the good that causes the pain..." This can be applied to so many characters: Mytho notably, with regaining his heart shards/emotions but also increasing with the Raven's blood's influence; Rue in wanting so desperately to keep Mytho for love but her efforts are only making matters worse; Fakir trying to protect Mytho but finding his efforts thwarted at every turn; Duck just trying to help... I admit I'm happy the focus was more on Mytho and Rue/Kraehe, as they fit this song so barking perfectly, but the fact that the others were also involved but only minimally, Duck hardly at all, made me a bit disappointed. I feel like it would have been nice to see some references to Duck's problems. We only see very brief glimpses of Fakir's. If the focus had only been on Mytho and Rue, then I wouldn't feel like I missed out on some possible awesomeness. While a general video about them all is nice, I don't feel like the clips were distributed evenly enough to give them all justice. But that said, what was done was done really quite epically.
I will say at 1:16-19, the clip with Fakir and Duck as Tutu, is pretty, but... a bit out of place. While watching it the first few times, I was too awed to really notice, because the flow is still beautiful. But analyzing more, this clip just seems put in there as cool-looking filler. Which it succeeds at. But it's still filler.
And then we get to Kraehe's solo. Gah. I love this. The voice really fits her quite well, and the clips used are great. Then the words... "I can feel/ a violent urge/ ...I adore/ having it under my skin."
Unfortunately, I'm running short on time, so I shall have to summarize some of the rest. I love the bit near the end, starting at 2:29. There's intermittent clips of Rue in the Depths of Despair and Fakir's tragic past. Gah. I just... *hand motions* And then it goes into the craziness of the Finale... Aaaggghhh. 'Love' does not express my feelings enough! <3
(and of course, Drosselmeyer at the end being him... all "Yeeesss the good does come from the bad, and where would you be without the bad? Aren't you glad I gave you all I did?" *glare*)
On to the video in general, this is fantastically created. The tune of the song gives the impression of a manic obsession that isn't the healthiest to be pursuing, and that image is conveyed through the video usage very well. The pieces of the show used get across the whole 'this is supposed to be good for me' or 'I want and need this' while still conveying this may not be the best idea. Mytho, Rue/Kraehe, Fakir... I would have liked to see a bit more usage of the idea with Duck, like when she sees Mytho after he regains Fear, but it's a minor quibble. The quality of the video is wonderful as well, as all pieces are timed perfectly. The inherent movement of the series, the dance everywhere, goes beautifully with the ever-shifting beat of the song, as it's a song that demands movement at all times. When calmer scenes are used, then the video editing/transitions make up the difference.
Overall Rating: 9.5/10
Thursday, July 31, 2014
Princess Tutu does A Very Potter Musical
All you who love stories, gather round...
Song: Get Back to Hogwarts (from A Very Potter Musical) by Team Starkid
Lyrics: avpm.wikia
Theme: Princess Tutu characters cast as characters in A Very Potter Musical
Spoilers: No
Review: This makes me grin so much. XD It's totally awesome!
Ok, onwards. First off, the cast is fantastic. My favorites are probably evil!Mytho as Draco (no seriously it makes so much sense) and Femio as Cedric ("kill the spare!"). Just... yes. Brief digression involving that: Malfoy is played by a girl in the musical, and Mytho is frequently seen dancing female parts in the show. Both have that obviously-assertive-snootiness that is really over the top but then just fits. Both try to have friends, but it really doesn't work very well. And, of course, the deeper layer of 'I just want somebody to love me' in both of them. (Mytho's just more successful about it.) And then Femio as Cedric is great! Nobody knows where the heck they came from, but they make prominent entrances and manage to draw all attention towards them. Yet, both are seen as 'extras,' and despite their opinion of themselves, aren't generally desired by many around. (except Lillie/Cho Chang. Yes.They would have the most detrimental relationship but they would stick so hard to it. I enjoy that this ship exists and is pointed at here.) I was intrigued to see Autor and Duck cast as siblings, and Autor as Ron period, but it really worked out very well!
I also enjoy that Fakir was singing about getting back to school while dancing.It really fits with the whole 'I'm cool and this is gonna be totally awesome' idea. I'm not going to dwell too on the character dynamics, though, because this is more a fun-fitting-because-we-can kind of thing than a specific commentary on the characters, I think.
On to video itself. The lip-synching and general emotion alignment is fantastic. It fits so well in tons of places! Just watch it again if you need reminding of that.
I will say that I was disappointed that there were frequent cuts here and there in the song, but it is a long song (like 10 minutes or something.). Most of the cuts were fairly well done though! One that grated on me a bit was at 1:18 between Fakir/Harry and Autor/Ron, switching to Rue/Hermione. Perhaps it was because of the multiple very recent cuts, but it just feels a bit quick. I think I may have liked to see a little bit more after the announcement of Mr. Cat/Dumbledore as well, but it worked out alright.
I was a bit confused when Cho Chang's music first came on, as to who it might be. I understand that there was supposed to be confusion, but with Pike taking first stage among the group shots, I thought she might be it, or the real one since Freya came up later. I was pleasantly surprised to find out it was Lillie, but I think that the group shots mixed with just Freya before would have been better.
The only other thing that bothered me, but I'm not sure how to have edited it much, would be the random bits of Kraehe we get now and again. I understand that the scenes were usually used simply for their facial expressions of the main character, but she's a bit, well, distracting. (wouldn't you say, Autor?) But really, while I do like the fact that Kraehe was referenced as Rue being "actually hot," it kind-of made her random background bits in other parts hard to ignore.
Overall though, a very entertaining video, and fantastically put together! I've watched it so many times... Part of it may be my love so for the musical, though. XD If you've not watched it, I highly recommend it, and there's even info at the end of the video~
Overall Rating: 8/10
Song: Get Back to Hogwarts (from A Very Potter Musical) by Team Starkid
Lyrics: avpm.wikia
Theme: Princess Tutu characters cast as characters in A Very Potter Musical
Spoilers: No
Review: This makes me grin so much. XD It's totally awesome!
Ok, onwards. First off, the cast is fantastic. My favorites are probably evil!Mytho as Draco (no seriously it makes so much sense) and Femio as Cedric ("kill the spare!"). Just... yes. Brief digression involving that: Malfoy is played by a girl in the musical, and Mytho is frequently seen dancing female parts in the show. Both have that obviously-assertive-snootiness that is really over the top but then just fits. Both try to have friends, but it really doesn't work very well. And, of course, the deeper layer of 'I just want somebody to love me' in both of them. (Mytho's just more successful about it.) And then Femio as Cedric is great! Nobody knows where the heck they came from, but they make prominent entrances and manage to draw all attention towards them. Yet, both are seen as 'extras,' and despite their opinion of themselves, aren't generally desired by many around. (except Lillie/Cho Chang. Yes.They would have the most detrimental relationship but they would stick so hard to it. I enjoy that this ship exists and is pointed at here.) I was intrigued to see Autor and Duck cast as siblings, and Autor as Ron period, but it really worked out very well!
I also enjoy that Fakir was singing about getting back to school while dancing.It really fits with the whole 'I'm cool and this is gonna be totally awesome' idea. I'm not going to dwell too on the character dynamics, though, because this is more a fun-fitting-because-we-can kind of thing than a specific commentary on the characters, I think.
On to video itself. The lip-synching and general emotion alignment is fantastic. It fits so well in tons of places! Just watch it again if you need reminding of that.
I will say that I was disappointed that there were frequent cuts here and there in the song, but it is a long song (like 10 minutes or something.). Most of the cuts were fairly well done though! One that grated on me a bit was at 1:18 between Fakir/Harry and Autor/Ron, switching to Rue/Hermione. Perhaps it was because of the multiple very recent cuts, but it just feels a bit quick. I think I may have liked to see a little bit more after the announcement of Mr. Cat/Dumbledore as well, but it worked out alright.
I was a bit confused when Cho Chang's music first came on, as to who it might be. I understand that there was supposed to be confusion, but with Pike taking first stage among the group shots, I thought she might be it, or the real one since Freya came up later. I was pleasantly surprised to find out it was Lillie, but I think that the group shots mixed with just Freya before would have been better.
The only other thing that bothered me, but I'm not sure how to have edited it much, would be the random bits of Kraehe we get now and again. I understand that the scenes were usually used simply for their facial expressions of the main character, but she's a bit, well, distracting. (wouldn't you say, Autor?) But really, while I do like the fact that Kraehe was referenced as Rue being "actually hot," it kind-of made her random background bits in other parts hard to ignore.
Overall though, a very entertaining video, and fantastically put together! I've watched it so many times... Part of it may be my love so for the musical, though. XD If you've not watched it, I highly recommend it, and there's even info at the end of the video~
Overall Rating: 8/10
Saturday, July 26, 2014
Broken Illusion
All you who love stories, gather round...
Song: "Torn" by Natalie Imbruglia
Lyrics: azlyrics
Theme: Mytho/Duck/Fakir
Spoilers: Yes
Review: The song chosen really fits Duck's POV very well. Mytho is her ideal, her dream; but then as she comes to know him, she learns how empty he is. Of course, she is trying to fix that, but that doesn't change the fact that he can't give her anything more than what she's idolized from afar. Meanwhile, Fakir certainly "couldn't be that man I adored," yet he is there. And willing to help her, despite his own shortcomings. And despite hers.
Right, on to closer analysis! The first lyrics are great for Mytho. I like the alignment of "brought to life" with the Swan Lake scene, as that truly is when he seems to have been brought back life, or at least as close as he can get at that time. He's kind, he's proper... The first stanza's really put together very nicely. And then we have Rue and Mytho together, with the words, "Nothing's fine, I'm torn." Really a great insight into Duck. I mean, she's not holding it against Mytho or blaming him, but she's still hurt.
The next bit, from about :52-1:08, is a good match at first. And individually, the pieces could go well. But using one long scene consistently throughout the entire 16 seconds feels like too much, especially since the rest of the video. If there were intersperses of other clips, it would be nicer. The only other time a long clip is used is near the end with the dance in the Lake of Despair, but it's interspersed with some effects to make it feel more broken up. Also, it's more dynamic than simply Duck crying into the pond/lake here. The lake scene has no words accompanying either, so the lingering scene is even further justified. At this point, though, it feels like it was just set to the side and never gotten back to.
I do like the usage of Tutu interchangeably with Duck, though, especially with Fakir restraining her a bit. It's a different context with the song, of comfort and worry rather than restraint, but it still fits nicely.
I love the bit around 1:25-29, the exchanging of Rue's and Duck's pictures in her daydream. It really shows how she knows it's futile, but she still believed in it. And how it's still extremely saddening to see it change.
"But you crawled beneath my veins/ And now I don't care" - I really like this, because it's so true. It shows both Duck's quick-to-anger side (although Fakir really doesn't help that in general), and her selflessness. She truly doesn't mind/care that Mytho's moved on from her, that she isn't his choice. But it still affects her, it still hurts her, and she can't ignore that. The bit where she's going to throw the pendant away is really poignant about this. "I'm torn." Got that right.
1:55-58 = Wow. Yes. Illusion of both Mytho and herself as Tutu. The perfect imagery, daydream, illusion. And then herself as Duck. But no... that never happened. And it's hard on her.
Yes, Fakir, you're always late. GEEZ.
Juxtaposition of her dance with Mytho as Princess Tutu, and (in a little bit) her dance with Fakir as herself, as Duck.... gaaahhhh. It's gorgeous~ It focuses on how Mytho was there, but not really, and how she wanted it so bad, but it never worked. AND THEN FAKIR. ;w; (see my notes above for how this long scene actually doesn't get monotonous)(other than, you know, being this scene)
The ending is cute~ :3 Not the perfect ending exactly, it feels a bit abrupt to just switch over to them walking away, but it's still nice.
Overall Rating: 8/10
Song: "Torn" by Natalie Imbruglia
Lyrics: azlyrics
Theme: Mytho/Duck/Fakir
Spoilers: Yes
Review: The song chosen really fits Duck's POV very well. Mytho is her ideal, her dream; but then as she comes to know him, she learns how empty he is. Of course, she is trying to fix that, but that doesn't change the fact that he can't give her anything more than what she's idolized from afar. Meanwhile, Fakir certainly "couldn't be that man I adored," yet he is there. And willing to help her, despite his own shortcomings. And despite hers.
Right, on to closer analysis! The first lyrics are great for Mytho. I like the alignment of "brought to life" with the Swan Lake scene, as that truly is when he seems to have been brought back life, or at least as close as he can get at that time. He's kind, he's proper... The first stanza's really put together very nicely. And then we have Rue and Mytho together, with the words, "Nothing's fine, I'm torn." Really a great insight into Duck. I mean, she's not holding it against Mytho or blaming him, but she's still hurt.
The next bit, from about :52-1:08, is a good match at first. And individually, the pieces could go well. But using one long scene consistently throughout the entire 16 seconds feels like too much, especially since the rest of the video. If there were intersperses of other clips, it would be nicer. The only other time a long clip is used is near the end with the dance in the Lake of Despair, but it's interspersed with some effects to make it feel more broken up. Also, it's more dynamic than simply Duck crying into the pond/lake here. The lake scene has no words accompanying either, so the lingering scene is even further justified. At this point, though, it feels like it was just set to the side and never gotten back to.
I do like the usage of Tutu interchangeably with Duck, though, especially with Fakir restraining her a bit. It's a different context with the song, of comfort and worry rather than restraint, but it still fits nicely.
I love the bit around 1:25-29, the exchanging of Rue's and Duck's pictures in her daydream. It really shows how she knows it's futile, but she still believed in it. And how it's still extremely saddening to see it change.
"But you crawled beneath my veins/ And now I don't care" - I really like this, because it's so true. It shows both Duck's quick-to-anger side (although Fakir really doesn't help that in general), and her selflessness. She truly doesn't mind/care that Mytho's moved on from her, that she isn't his choice. But it still affects her, it still hurts her, and she can't ignore that. The bit where she's going to throw the pendant away is really poignant about this. "I'm torn." Got that right.
1:55-58 = Wow. Yes. Illusion of both Mytho and herself as Tutu. The perfect imagery, daydream, illusion. And then herself as Duck. But no... that never happened. And it's hard on her.
Yes, Fakir, you're always late. GEEZ.
Juxtaposition of her dance with Mytho as Princess Tutu, and (in a little bit) her dance with Fakir as herself, as Duck.... gaaahhhh. It's gorgeous~ It focuses on how Mytho was there, but not really, and how she wanted it so bad, but it never worked. AND THEN FAKIR. ;w; (see my notes above for how this long scene actually doesn't get monotonous)(other than, you know, being this scene)
The ending is cute~ :3 Not the perfect ending exactly, it feels a bit abrupt to just switch over to them walking away, but it's still nice.
Overall Rating: 8/10
Wednesday, July 16, 2014
Fakir - Devastation and Reform
All you who love stories, gather round...
Song: "Devastation and Reform" by Relient K
Lyrics: azlyrics
Theme: Fakir & his struggles
Spoilers: Yes
Review: This is an excellent choice of song for Fakir, not only for its lyrics but for its energy. It's bursting at the seams, but yet still stays within rhythm, even when it shifts tone. It's a beautiful fit.
I'm also really impressed with the introduction. While the opening music to the song is immediately high energy, and maintains it fairly readily, it's difficult to get video to do the same. It's possible to not do so and still have it fit well, but this creator managed to get consistent cuts in a timely manner for nearly the entire intro, which is a crazy accomplishment! Not only because of the timing involved, but the fact that pretty much all the clips are different yet all very pertinent. The one drawback is that with such speed involved, it's kind-of hard to be able to recognize all of the clips, even after numerous watchings, but that doesn't really diminish the effect of it.
As it gets to the first chorus, I realize that yeah, Fakir does create a lot of problems. He's not the only one that's causing problems, and he does have plenty of other problems besetting him, but his anger and 'protection' do more damage than help as Mytho's getting his heart back. So yeah, destroying everything I love is a pretty apt description for Fakir in the first season. And then he gives himself that label/mantra in the second season, so again, it fits really well~ (Ok so he gives himself that label from the very beginning [aka his parents/Mytho] but it's less subverted in the second season.)
From 1:04-1:14 ish though, I'm a bit confused. It looks good, but I'm not seeing the correlation between lyrics and video that the rest of the video maintains. I can make a slight connection at how he's trying to restart/'reconstruct' his thoughts about Tutu, but... that's all I can gather. :/
The following epicness with the Ghost Knight is great, though. It really captures the essence of the song and Fakir's fears all together very nicely!
The following bit regards Fakir realizing that it's probably not the safest plan for him to go after this 'story,' but he will anyway, with zeal. Which he entirely does. And the usage of Fakir and Kraehe's first fight with the sword is a pretty good choice. It's arranged well, and is a good story reference point because this is where Fakir decides that the story's moving and he's going to do something about it. I personally think that it would have been good to use the ice lake swordfight bits here too, as that's when Fakir decides to go suicidal with his intensity, even against the story. But the clips chosen also go well with the next bit with windows and Kraehe.
Speaking of which, that was very well chosen! Kraehe and Duck are both problems for Fakir, annoyances that he can't be bothered to deal with but he has to. Even though both of them are kind-of essential to everything happening.
Also, I love the phrase "I feel like I was born/ for devastaion and reform/" paired with Fakir's fight with evil!Mytho. That has got to eat at Fakir afterwards. He's been spending his whole life doing what exactly? Protecting the Prince. And what's happened now? The Prince is evil. Crap. Can't protect him from himself.
And then... Duck... no comment needed. ;w;
*sigh* I love the interlude bit. Paired with Fakir's journey with the tree is perfect. Gives me chills and a slightly constricted throat every time~ (especially at the "failure is a blessing in disguise" part, as he falls to his possible death. And so many other failures, like being unable to protect the Prince, or defeat the Crow, or simply survive, or.... Gaaahhh.) And then, finally, the 'reconstruction' of his heart is fulfilled as he comes back to Tutu's voice, to Duck. He's finally been able to recognize that yes, he's had problems, but that doesn't mean he can't go through more and succeed.
The following build-up with being forced to write by Drosselmeyer is great. It's appropriately tense, because both the audience and Fakir are all "NOOOOOOOO" but there's nothing to be done, and then BAM! With the musical halt, comes a stop to the tragedy. (or at least realization thereof and then implementation)
The following craziness about near the end is beautifully put. Fakir's realized his complex about himself, and that he needs to move past it, but that doesn't make it any easier to deal with. He still has problems protecting, implementing, ensuring safety. But he keeps trying.
And the rewind is a great way to end it. Reminding him that he has so much more than "what I had when I first started."
The very end, though, with the flashes between their dances (with both Duck and Tutu), I'm left a little confused. It looks great, and the timing is wonderful. But... what's the connection? If it's still the flashback, then when he was talking to her as Tutu it was still a strong emotion, and it wasn't the same as the acceptance when they were dancing in the Lake of Despair. But I don't think that it's a big enough disparity to make the appropriate sentiment that the rest of the flashbacks have been. It would have been better to use the Sleeping Beauty scene, I think, or something else showing how much things have changed.
Overall Rating: 9/10
Song: "Devastation and Reform" by Relient K
Lyrics: azlyrics
Theme: Fakir & his struggles
Spoilers: Yes
Review: This is an excellent choice of song for Fakir, not only for its lyrics but for its energy. It's bursting at the seams, but yet still stays within rhythm, even when it shifts tone. It's a beautiful fit.
I'm also really impressed with the introduction. While the opening music to the song is immediately high energy, and maintains it fairly readily, it's difficult to get video to do the same. It's possible to not do so and still have it fit well, but this creator managed to get consistent cuts in a timely manner for nearly the entire intro, which is a crazy accomplishment! Not only because of the timing involved, but the fact that pretty much all the clips are different yet all very pertinent. The one drawback is that with such speed involved, it's kind-of hard to be able to recognize all of the clips, even after numerous watchings, but that doesn't really diminish the effect of it.
As it gets to the first chorus, I realize that yeah, Fakir does create a lot of problems. He's not the only one that's causing problems, and he does have plenty of other problems besetting him, but his anger and 'protection' do more damage than help as Mytho's getting his heart back. So yeah, destroying everything I love is a pretty apt description for Fakir in the first season. And then he gives himself that label/mantra in the second season, so again, it fits really well~ (Ok so he gives himself that label from the very beginning [aka his parents/Mytho] but it's less subverted in the second season.)
From 1:04-1:14 ish though, I'm a bit confused. It looks good, but I'm not seeing the correlation between lyrics and video that the rest of the video maintains. I can make a slight connection at how he's trying to restart/'reconstruct' his thoughts about Tutu, but... that's all I can gather. :/
The following epicness with the Ghost Knight is great, though. It really captures the essence of the song and Fakir's fears all together very nicely!
The following bit regards Fakir realizing that it's probably not the safest plan for him to go after this 'story,' but he will anyway, with zeal. Which he entirely does. And the usage of Fakir and Kraehe's first fight with the sword is a pretty good choice. It's arranged well, and is a good story reference point because this is where Fakir decides that the story's moving and he's going to do something about it. I personally think that it would have been good to use the ice lake swordfight bits here too, as that's when Fakir decides to go suicidal with his intensity, even against the story. But the clips chosen also go well with the next bit with windows and Kraehe.
Speaking of which, that was very well chosen! Kraehe and Duck are both problems for Fakir, annoyances that he can't be bothered to deal with but he has to. Even though both of them are kind-of essential to everything happening.
Also, I love the phrase "I feel like I was born/ for devastaion and reform/" paired with Fakir's fight with evil!Mytho. That has got to eat at Fakir afterwards. He's been spending his whole life doing what exactly? Protecting the Prince. And what's happened now? The Prince is evil. Crap. Can't protect him from himself.
And then... Duck... no comment needed. ;w;
*sigh* I love the interlude bit. Paired with Fakir's journey with the tree is perfect. Gives me chills and a slightly constricted throat every time~ (especially at the "failure is a blessing in disguise" part, as he falls to his possible death. And so many other failures, like being unable to protect the Prince, or defeat the Crow, or simply survive, or.... Gaaahhh.) And then, finally, the 'reconstruction' of his heart is fulfilled as he comes back to Tutu's voice, to Duck. He's finally been able to recognize that yes, he's had problems, but that doesn't mean he can't go through more and succeed.
The following build-up with being forced to write by Drosselmeyer is great. It's appropriately tense, because both the audience and Fakir are all "NOOOOOOOO" but there's nothing to be done, and then BAM! With the musical halt, comes a stop to the tragedy. (or at least realization thereof and then implementation)
The following craziness about near the end is beautifully put. Fakir's realized his complex about himself, and that he needs to move past it, but that doesn't make it any easier to deal with. He still has problems protecting, implementing, ensuring safety. But he keeps trying.
And the rewind is a great way to end it. Reminding him that he has so much more than "what I had when I first started."
The very end, though, with the flashes between their dances (with both Duck and Tutu), I'm left a little confused. It looks great, and the timing is wonderful. But... what's the connection? If it's still the flashback, then when he was talking to her as Tutu it was still a strong emotion, and it wasn't the same as the acceptance when they were dancing in the Lake of Despair. But I don't think that it's a big enough disparity to make the appropriate sentiment that the rest of the flashbacks have been. It would have been better to use the Sleeping Beauty scene, I think, or something else showing how much things have changed.
Overall Rating: 9/10
Friday, July 4, 2014
Fakir's Hand of Sorrow
All you who love stories, gather round...
Song: "Hand of Sorrow" by Within Temptation
Lyrics: azlyrics (also at the end of the Youtube description)
Theme: AU-ish: Fakir & the Ghost Knight; Retelling the Ghost Knight story with Fakir in the Ghost Knight's role, and Tutu/Duck as his lover
Spoilers: Yes
Review: ... That intro. Gives. Me. Chills. The narrator usage is glorious, the layering with the song's intro is fantastic, and the clip usage is perfect! I don't know what more you could want from an intro, other than the fact that the narration's background music bleeds through the tiniest bit in places, but that is negligible. You don't even notice it until you've seen it at least 3-4 times or more. (at least that's how it was with me... XD' )
First off, this song in and of itself is perfect for this idea, for Fakir. I mean, he never questions 'why am I the Knight?' or 'should I even protect this Prince?' - he just does it, instinctively, resolutely. To the exclusion of pretty much all else, at least at first. It's not hard to see him sticking to that, either. But neither does he entirely understand what all he can do, what is within his powers, even once understanding that he is a story-spinner. He is still a protector of Mytho, and that dictates his life. And the fact that he loves Tutu/Duck is very controversial to his protector role of the Prince.
Getting back to specific video content, the first round of the chorus is wonderfully chosen, with Fakir reading 'The Prince & The Raven' and the sacrifices involved there. Quite portending. And then Rue as a possible "noble" and Ms. Edel as "wise" augments the confusion that grows with Mytho's stay in this world. I really love the usage of the book/play during "but the oath made him stay", along with Fakir's fears being manifest. It's a very powerful usage of the clip, and symoblistic of the horrors Fakir is afraid to commit under the Prince, but must do (in this universe; and hey, maybe raven!Mytho is the Prince he's serving).
And.... and the second intro to the chorus... "He prayed for both but was denied." That. That. *serious face* I audibly gasp each time I watch it. Ok, maybe not every single time, but it's happened repeatedly. Even when I know it's coming. But it's just so... so powerful! The set up of the clips is fantastic, and it truly seems as though he's had to do something so horrible... And it's gorgeous symbolism how when the 'act' is committed, Fakir isn't himself anymore but simply 'the Knight'. That is all he is, all he can be in that moment. Because if he were anything else he would die.
And then! Following that tragedy, he does realize what the heck he's done! And is (rightfully) devastated! I love the usage of raven!Mytho and Uzura as the "noble" & "wise" here, it's wonderfully crafted. The dark Prince is crazed, angry, totally in the wrong, but still technically "noble;" meanwhile Uzura is a small child, and doesn't understand everything, but her tears at what's happened show her to truly be "wise."
"Will all our sins be justified?"
I don't know, Fakir, will they??
Man, this repetition is poignant, and so relevant... and beautiful. And... anxiety-inducing. XD'
And then, we have Fakir apologizing to both the Prince and Duck/Tutu (mostly her)... in a heartrendingly sad showing of his devotion to both. The transition to mostly addressing Duck/Tutu is great, and the Ghost Knight with Tutu with the words "though you'll not see that it is me" is just... gaaaahh my hearstriiiiingss.....
And chaos. And the attack again. Despite its absolutely horrible meaning, I love the sequences where Fakir is attacking Tutu, because they are arranged so gosh-darn well!! It looks totally believable. They're amazing.
The later portions are just as great. I haven't had time to make as much meaning out of all the word/clip symbolism, but it seems important that the bookkeper and Drosselmeyer are seen as "noble" and "wise" here, because both of them are quite adamant that death be an overarching theme in things... And then Fakir takes the dagger/letter opener... In the description, it's to be seen as a suicide, which although he stabs his hand, it could've been poisoned or something... And it's not hard to accept in lieu of all the crazy happenings.
The last bit I do really like the arrangement of - Tutu/Duck and Fakir finding one another past death. My only quibble is that the video quality seems to diminish at the end here for some reason, not the clips' usage but the actual video footage. It's a bit dimmer... and sometimes over-glare-y. It's not long enough to detract from the overall awesome of the video, but it's a bit of a distraction.
My only main quibble with this, other than that ending bit, is the quality of the video overall, but I don't know if that's because of my internet service or not. Whenever I start it anew, sometimes I have to make it large and then smaller to readjust the focus, and it is a bit choppy/lagging at times. Double-clicking it a few times usually fixes it, or refreshing the page, but it makes me sad that there's not a higher-quality version of this epicness.
But yes. I love this video, and it's really well done. I'm very happy that I found this video, and get to watch it again and again~
Overall Review: FF 10/10
Song: "Hand of Sorrow" by Within Temptation
Lyrics: azlyrics (also at the end of the Youtube description)
Theme: AU-ish: Fakir & the Ghost Knight; Retelling the Ghost Knight story with Fakir in the Ghost Knight's role, and Tutu/Duck as his lover
Spoilers: Yes
Review: ... That intro. Gives. Me. Chills. The narrator usage is glorious, the layering with the song's intro is fantastic, and the clip usage is perfect! I don't know what more you could want from an intro, other than the fact that the narration's background music bleeds through the tiniest bit in places, but that is negligible. You don't even notice it until you've seen it at least 3-4 times or more. (at least that's how it was with me... XD' )
First off, this song in and of itself is perfect for this idea, for Fakir. I mean, he never questions 'why am I the Knight?' or 'should I even protect this Prince?' - he just does it, instinctively, resolutely. To the exclusion of pretty much all else, at least at first. It's not hard to see him sticking to that, either. But neither does he entirely understand what all he can do, what is within his powers, even once understanding that he is a story-spinner. He is still a protector of Mytho, and that dictates his life. And the fact that he loves Tutu/Duck is very controversial to his protector role of the Prince.
Getting back to specific video content, the first round of the chorus is wonderfully chosen, with Fakir reading 'The Prince & The Raven' and the sacrifices involved there. Quite portending. And then Rue as a possible "noble" and Ms. Edel as "wise" augments the confusion that grows with Mytho's stay in this world. I really love the usage of the book/play during "but the oath made him stay", along with Fakir's fears being manifest. It's a very powerful usage of the clip, and symoblistic of the horrors Fakir is afraid to commit under the Prince, but must do (in this universe; and hey, maybe raven!Mytho is the Prince he's serving).
And.... and the second intro to the chorus... "He prayed for both but was denied." That. That. *serious face* I audibly gasp each time I watch it. Ok, maybe not every single time, but it's happened repeatedly. Even when I know it's coming. But it's just so... so powerful! The set up of the clips is fantastic, and it truly seems as though he's had to do something so horrible... And it's gorgeous symbolism how when the 'act' is committed, Fakir isn't himself anymore but simply 'the Knight'. That is all he is, all he can be in that moment. Because if he were anything else he would die.
And then! Following that tragedy, he does realize what the heck he's done! And is (rightfully) devastated! I love the usage of raven!Mytho and Uzura as the "noble" & "wise" here, it's wonderfully crafted. The dark Prince is crazed, angry, totally in the wrong, but still technically "noble;" meanwhile Uzura is a small child, and doesn't understand everything, but her tears at what's happened show her to truly be "wise."
"Will all our sins be justified?"
I don't know, Fakir, will they??
Man, this repetition is poignant, and so relevant... and beautiful. And... anxiety-inducing. XD'
And then, we have Fakir apologizing to both the Prince and Duck/Tutu (mostly her)... in a heartrendingly sad showing of his devotion to both. The transition to mostly addressing Duck/Tutu is great, and the Ghost Knight with Tutu with the words "though you'll not see that it is me" is just... gaaaahh my hearstriiiiingss.....
And chaos. And the attack again. Despite its absolutely horrible meaning, I love the sequences where Fakir is attacking Tutu, because they are arranged so gosh-darn well!! It looks totally believable. They're amazing.
The later portions are just as great. I haven't had time to make as much meaning out of all the word/clip symbolism, but it seems important that the bookkeper and Drosselmeyer are seen as "noble" and "wise" here, because both of them are quite adamant that death be an overarching theme in things... And then Fakir takes the dagger/letter opener... In the description, it's to be seen as a suicide, which although he stabs his hand, it could've been poisoned or something... And it's not hard to accept in lieu of all the crazy happenings.
The last bit I do really like the arrangement of - Tutu/Duck and Fakir finding one another past death. My only quibble is that the video quality seems to diminish at the end here for some reason, not the clips' usage but the actual video footage. It's a bit dimmer... and sometimes over-glare-y. It's not long enough to detract from the overall awesome of the video, but it's a bit of a distraction.
My only main quibble with this, other than that ending bit, is the quality of the video overall, but I don't know if that's because of my internet service or not. Whenever I start it anew, sometimes I have to make it large and then smaller to readjust the focus, and it is a bit choppy/lagging at times. Double-clicking it a few times usually fixes it, or refreshing the page, but it makes me sad that there's not a higher-quality version of this epicness.
But yes. I love this video, and it's really well done. I'm very happy that I found this video, and get to watch it again and again~
Overall Review: FF 10/10
Tuesday, July 1, 2014
Note: Changes
Alright, first I want to apologize for being gone for so long. At first it was just life, and then my computer decided to not work with an external hard drive, and then there were days of trying to figure out why... *sigh*
So sorry about that. But I think that I am going to change the time frame of this blog, from attempting a daily post to simply doing at least weekly posts. I forget how busy I actually am when I set the daily goal, and as proven by the numerous times I've missed days, it'd probably be better if I just expected a weekly output instead of daily.
Now if I have some extra time, and happen to put more than one up per week, I shall! But I can't guarantee that happening. So, just a bit of an update and not wanting to disappoint people who actually notice~
So sorry about that. But I think that I am going to change the time frame of this blog, from attempting a daily post to simply doing at least weekly posts. I forget how busy I actually am when I set the daily goal, and as proven by the numerous times I've missed days, it'd probably be better if I just expected a weekly output instead of daily.
Now if I have some extra time, and happen to put more than one up per week, I shall! But I can't guarantee that happening. So, just a bit of an update and not wanting to disappoint people who actually notice~
Thursday, June 26, 2014
Part of Your World
All you who love stories, gather round....
Song: "Part of Your World" (The Little Mermaid) by Disney
Lyrics: stlyrics
Theme: Duck wishing to be a girl
Spoilers: Yes
Review: This is a great concept, and albeit I've not seen a lot of adaptions of this song, I think this one was rather well done! It's cute and sincere, and the visual and audio work together well.
The point of view of Duck mainly as a duck is nice to see. Erm, maybe that sounds weird. It's usual for everyone to accept that she's a duck, but it's not usual to see that as a focus, or at least done nicely as here. I mean... *sigh* Her longing to be a human girl, whether Tutu or not, is really palpable in this video. And it's so her. It's beautiful~and kind-of sad at the same time ;w;
I also really like how the emphasis is on dancing itself, on simply being a human to dance, to be a part of a group. While Mytho is a main part of that, he's not the focus. He is a part. And she gets so close! The pendant, everything... the video clips work very well with matching the emotions and inquisitive nature of the words.
Especially as you near the end of the first song, around 1:40-ish. The hopelessness... ;_; It's very well partnered. It grips your heart, as it should.
Then the transition to the second song is done really well! Both clip-wise and audio-wise. And it's gorgeous how Fakir is the one who shows her that she has become part of that world, she has earned the right to be human, to have friends like him and dance. And that he will make sure she stays part of the world, his world.
I will say that as it ended, the video clips of Duck & Fakir got a bit much... I don't know - they were good to use for the sentiment, but they were piled a bit too close together, too quickly, and it felt like they were just putting them in for the fact that Duck & Fakir were shown together. While that's not bad, for one thing the scenes used are very poignant, and they lose a bit of that when just put together. Secondly, they didn't have the same effort behind them as the rest of the video. So on its own, the end may have been an average montage-type thing, but with everything else before it, it's just rather disappointing and a bit confusing.
I will say it is a cute video. It's not heart-wrenching or anything, but it does touch you in a delicate way that makes you feel warm afterwards. I really like the majority of the video, and it's fun to watch and make the comparison. But the ending throws things off a bit.
Overall Rating: 7/10
Song: "Part of Your World" (The Little Mermaid) by Disney
Lyrics: stlyrics
Theme: Duck wishing to be a girl
Spoilers: Yes
Review: This is a great concept, and albeit I've not seen a lot of adaptions of this song, I think this one was rather well done! It's cute and sincere, and the visual and audio work together well.
The point of view of Duck mainly as a duck is nice to see. Erm, maybe that sounds weird. It's usual for everyone to accept that she's a duck, but it's not usual to see that as a focus, or at least done nicely as here. I mean... *sigh* Her longing to be a human girl, whether Tutu or not, is really palpable in this video. And it's so her. It's beautiful~
I also really like how the emphasis is on dancing itself, on simply being a human to dance, to be a part of a group. While Mytho is a main part of that, he's not the focus. He is a part. And she gets so close! The pendant, everything... the video clips work very well with matching the emotions and inquisitive nature of the words.
Especially as you near the end of the first song, around 1:40-ish. The hopelessness... ;_; It's very well partnered. It grips your heart, as it should.
Then the transition to the second song is done really well! Both clip-wise and audio-wise. And it's gorgeous how Fakir is the one who shows her that she has become part of that world, she has earned the right to be human, to have friends like him and dance. And that he will make sure she stays part of the world, his world.
I will say that as it ended, the video clips of Duck & Fakir got a bit much... I don't know - they were good to use for the sentiment, but they were piled a bit too close together, too quickly, and it felt like they were just putting them in for the fact that Duck & Fakir were shown together. While that's not bad, for one thing the scenes used are very poignant, and they lose a bit of that when just put together. Secondly, they didn't have the same effort behind them as the rest of the video. So on its own, the end may have been an average montage-type thing, but with everything else before it, it's just rather disappointing and a bit confusing.
I will say it is a cute video. It's not heart-wrenching or anything, but it does touch you in a delicate way that makes you feel warm afterwards. I really like the majority of the video, and it's fun to watch and make the comparison. But the ending throws things off a bit.
Overall Rating: 7/10
Monday, June 23, 2014
Caged Devotion
All you who love stories, gather round...
Song: "Prisoner of Love" by Utada Hikaru
Lyrics: animelyrics & metrolyrics (also in video)
Theme: Rue/Mytho, Rue's POV
Spoilers: Yes
Source: animemusicvideos (note: better quality video if you watch it in 'preview,' if you have an account there)
Review: ;w; Rueeeeee....
*ahem*
This is a very well made video. It... it fits with Rue, so well, so... practically perfectly! The music is a steady beat that I can see her dancing to (metaphorically and not), the words share her heart's fears and strains... It's beautiful.
"Feeling loneliness, being in pain, it's not so bad; I'm just a prisoner of love." Rue deals with this. Every. Day. Especially after Mytho starts regaining his heart. It only gets worse, but she stays. She fights to stay, even though it hurts her. "I've chosen an unforseeably painful path/ and you came to support me." ... I don't even know how to list all the ways this works. There are just so many.
And... and then there's the "Since you came into my life..." and "I've loved you since that day" with little Rue! The parts are beautifully aligned, and so true...
"Don't you ever leave me."
If that doesn't scream "Rue," then I don't know what does. She's had to deal with her 'Father' threatening to abandon her or eat her at every corner, his placid soothings of love only used as a reward system to get her to do what he wants. Mytho's the only one she's been able to count on, consistently, for practically her entire life. And she tries desperately to hang onto him when his emotions start tearing him away.
"Loneliness and Pain/ I thought I could deal with them..."
Those lines, in conjunction with the horror and realization that she can't handle this, but she also can't control it... And that Mytho is practically beyond her help...! Gah! Heartstrings!
"Stay with me./ Say you love me."
Rue uses those last words, in so many scenarios. But by this point, it's a desperate cry. It's a plea, through tears and grief and agony as she sees him moving beyond her grasp...
And then ending with her dance in the Depths of Despair, thinking on Tutu & Mytho, losing so much... ;_;
Ok, I think it's established that I love this video for its concept. And execution. But I also have to praise the editing work! It's fantastic! The clips always fit together so well, and the transitions are wonderful! Sometimes the blackout-flashes do become a bit much, though. It's a nice theme to repeat throughout with the beat, but there were times when I couldn't quite fit them with much of anything musically, and it almost felt distracting. But the rest of the video and content pretty much made up for it.
Overall Rating: 9/10
Song: "Prisoner of Love" by Utada Hikaru
Lyrics: animelyrics & metrolyrics (also in video)
Theme: Rue/Mytho, Rue's POV
Spoilers: Yes
Source: animemusicvideos (note: better quality video if you watch it in 'preview,' if you have an account there)
Review: ;w; Rueeeeee....
*ahem*
This is a very well made video. It... it fits with Rue, so well, so... practically perfectly! The music is a steady beat that I can see her dancing to (metaphorically and not), the words share her heart's fears and strains... It's beautiful.
"Feeling loneliness, being in pain, it's not so bad; I'm just a prisoner of love." Rue deals with this. Every. Day. Especially after Mytho starts regaining his heart. It only gets worse, but she stays. She fights to stay, even though it hurts her. "I've chosen an unforseeably painful path/ and you came to support me." ... I don't even know how to list all the ways this works. There are just so many.
And... and then there's the "Since you came into my life..." and "I've loved you since that day" with little Rue! The parts are beautifully aligned, and so true...
"Don't you ever leave me."
If that doesn't scream "Rue," then I don't know what does. She's had to deal with her 'Father' threatening to abandon her or eat her at every corner, his placid soothings of love only used as a reward system to get her to do what he wants. Mytho's the only one she's been able to count on, consistently, for practically her entire life. And she tries desperately to hang onto him when his emotions start tearing him away.
"Loneliness and Pain/ I thought I could deal with them..."
Those lines, in conjunction with the horror and realization that she can't handle this, but she also can't control it... And that Mytho is practically beyond her help...! Gah! Heartstrings!
"Stay with me./ Say you love me."
Rue uses those last words, in so many scenarios. But by this point, it's a desperate cry. It's a plea, through tears and grief and agony as she sees him moving beyond her grasp...
And then ending with her dance in the Depths of Despair, thinking on Tutu & Mytho, losing so much... ;_;
Ok, I think it's established that I love this video for its concept. And execution. But I also have to praise the editing work! It's fantastic! The clips always fit together so well, and the transitions are wonderful! Sometimes the blackout-flashes do become a bit much, though. It's a nice theme to repeat throughout with the beat, but there were times when I couldn't quite fit them with much of anything musically, and it almost felt distracting. But the rest of the video and content pretty much made up for it.
Overall Rating: 9/10
Saturday, June 21, 2014
Swan Bows & Arrows
All you who love stories, gather round...
Song: "The Crimson Bow and Arrow" (Guren no Yumiya) by Linked Horizon
Lyrics: (Jap. & Eng.) animelyrics
Theme: Series trailer/Attack on Titan mimic
Spoilers: No
Review: First off, I have to say that I've never seen Attack on Titan nor even the opening, so I cannot give any feedback on how well that particular comparison was accomplished. If anyone else has and can give feedback, I'd love to hear how well it worked. Because everything else about this is already barking awesome.
Since I first saw this video, I thought it was an epic promotional trailer for Princess Tutu, and I still think it fits that category. There aren't any spoilers because of the rapidity of the clips and tone (despite blatant use ending episodes' stuff), but the speed doesn't overwhelm you to the point of discomfort - it just blows your mind and lets you consider the pieces. XD
The opening is beautiful, jumps right into the heat of things (I mean you see the Raven!), and yet takes you back to the beginning. The sequence 'recapping' how the Prince lost his heart is excellently placed and executed. Even without knowing what's happened, you can easily guess. And then Princess Tutu is shown as the radiant swan maiden, establishing her as a central character. And then there's Fakir, shown in hesitancy and donning the cloak. Such ambiguity, uncertainty; so very fitting~ The heart shard with the claw is an excellent presentation as well, and the musical break at that point is gripping!
And then, suddenly characters! All over the place! But they seem to fit together fantastically! The montage is put together splendidly, and is enough to get you very intrigued but not enough to give anything away. And Drosselmeyer, smiling while he oversees everything. Great.
I really love the use of the sword fight scenes as well, especially put so close together! It's exciting, for both newcomers and regular fans, and brings up so many parallels that might have been missed if you know the show already.
And then the ending. Just enough solidity to give you your feet back underneath you, but you're still wobbling by the time it's over. The entire video just kind-of slams you with awesome, and then hands you the pieces back at the end so you can contemplate on your experience.
And then even looking over the lyrics (in translation), the words work excellently. It's more of an abstract interpretation to fit well, but it doesn't take a whole lot of effort for that. And then, of course, just listening to the Japanese in general I find gorgeous~
One of the most impressive things I find about this video, other than the epic use of music and clips, is how it shares so very much without giving anything at all away! I mean, not even Kraehe is revealed, even though she's seen fairly frequently! It's fantastic!!
I would definitely recommend using this video as one of the introductory videos to get others interested, although giving the disclaimer that the series doesn't have as much action in it as this video would suggest. It's all in there, but spread out over more than just a minute and a half. XD And, of course, just watching it for its epicness is always an option!
Overall Rating: 10/10
(note: I've been absent because real life sometimes demands more of me than I anticipated. Or at least I expect more of me than I should. Sometimes both. <w<' )
Song: "The Crimson Bow and Arrow" (Guren no Yumiya) by Linked Horizon
Lyrics: (Jap. & Eng.) animelyrics
Theme: Series trailer/Attack on Titan mimic
Spoilers: No
Review: First off, I have to say that I've never seen Attack on Titan nor even the opening, so I cannot give any feedback on how well that particular comparison was accomplished. If anyone else has and can give feedback, I'd love to hear how well it worked. Because everything else about this is already barking awesome.
Since I first saw this video, I thought it was an epic promotional trailer for Princess Tutu, and I still think it fits that category. There aren't any spoilers because of the rapidity of the clips and tone (despite blatant use ending episodes' stuff), but the speed doesn't overwhelm you to the point of discomfort - it just blows your mind and lets you consider the pieces. XD
The opening is beautiful, jumps right into the heat of things (I mean you see the Raven!), and yet takes you back to the beginning. The sequence 'recapping' how the Prince lost his heart is excellently placed and executed. Even without knowing what's happened, you can easily guess. And then Princess Tutu is shown as the radiant swan maiden, establishing her as a central character. And then there's Fakir, shown in hesitancy and donning the cloak. Such ambiguity, uncertainty; so very fitting~ The heart shard with the claw is an excellent presentation as well, and the musical break at that point is gripping!
And then, suddenly characters! All over the place! But they seem to fit together fantastically! The montage is put together splendidly, and is enough to get you very intrigued but not enough to give anything away. And Drosselmeyer, smiling while he oversees everything. Great.
I really love the use of the sword fight scenes as well, especially put so close together! It's exciting, for both newcomers and regular fans, and brings up so many parallels that might have been missed if you know the show already.
And then the ending. Just enough solidity to give you your feet back underneath you, but you're still wobbling by the time it's over. The entire video just kind-of slams you with awesome, and then hands you the pieces back at the end so you can contemplate on your experience.
And then even looking over the lyrics (in translation), the words work excellently. It's more of an abstract interpretation to fit well, but it doesn't take a whole lot of effort for that. And then, of course, just listening to the Japanese in general I find gorgeous~
One of the most impressive things I find about this video, other than the epic use of music and clips, is how it shares so very much without giving anything at all away! I mean, not even Kraehe is revealed, even though she's seen fairly frequently! It's fantastic!!
I would definitely recommend using this video as one of the introductory videos to get others interested, although giving the disclaimer that the series doesn't have as much action in it as this video would suggest. It's all in there, but spread out over more than just a minute and a half. XD And, of course, just watching it for its epicness is always an option!
Overall Rating: 10/10
(note: I've been absent because real life sometimes demands more of me than I anticipated. Or at least I expect more of me than I should. Sometimes both. <w<' )
Wednesday, June 18, 2014
L'Assasymphonie
All you who love stories, gather round...
Song: "L'Assasymphonie" (or "The Assassinate Symphony") by Mozart L'Opera Rock
Lyrics: (orig and transl) lyrictranslate
Theme: Autor (and jealousy)
Spoilers: No (lack of context if it's not already known)
Review: This. All of this. *gestures* YES.
I have to admit that this was the first time I heard this song, and I LOVE the song, so there is a wee bit of bias. BUT it and the video together are just fantastical, and that's what I'm commenting on here. I will endeavor to say what I can about this amazingtastical video, but again today I am limited on the amount of time I have, so I'll get going!
First off: That intro. Beautiful setup. It's a bit questionable in the first few seconds, but it just draws you in and within 20 seconds you have the entire premise of the tone, feelings, characters, etc. It's gorgeous.
The interspersing of talking and such with Autor's stalking is great. Really sets a 'hold-it-in-yet-ready-to-burst' feel, and the music/talking draws you in. And his utter joy at Fakir's frustrations... Throughout the video! Always gives me chills. Alwaaayyysss. And looking up the lyrics just makes it more epic! "I dedicate my nights/ to the assasymphony/ To requiems/ killing by frustration/... I confess I curse/ all those who love each other." Interspersed with the happy faces of all who are enamored with Fakir, or at least are fans... Mraaahh. Fantastical.
Then the next verse. Drosselmeyer. Even if you don't know the words, it's obvious that he's taunting Autor. A lot. And it gets to Autor. And then, he throws water on the pedigree chart, which he pretty much reveres for the connections it shows with Drosselmeyer. The words give even more light on this: "I deny/ the fatal heresy/ Which gnaws at my soul/" Immediately following, his confrontation with the bookstore owner is "I want to be reborn/ To be reborn." O___o Goodness symbolism and overlapping! I just... wow. That's epic.
And then.......... There's the... assassination of Fakir. ._. Yes. It is beautifully exemplified, the watch-checking is just like Autor, and... and... *spaz*
Then. Theeeen there's Drossy again. Muttering and being the voice in the back of Autor's head. But it's also Autor muttering to himself. And the lyrics are analogies with music, and very well done! How things seem wrong, off... Perhaps the scene with Fakir resisting Autor is a flashback or something.
Becuase then! Then we get to a part where Autor is rescuing Fakir~! Like he had second thoughts about the assassination! Or, since we see writing, perhaps Autor wrote something that actually changed things so that Fakir would live...? I don't even know.
BUT THEN. He leads Fakir into the place, and he's got crows waiting for him!! Like another assassination! Or attack or something!
But then, after a while, even though Fakir collapses, Autor lets Duck in to see him... Perhaps he's not entirely dead, just really beat up because Autor wanted revenge/to take out anger on him in some fashion. Or... maybe he didn't make it...? I can't tell. Both are crazy and awesome and just-
And then Drossylmeyer. It has to end with him. Laughing. *wide-eyed-serious-face*
Ok, so when I get frantic, especially about things I enjoy, I type more. But really. And real quick, as if the video in and of itself weren't enough, the effects/clip usage was FAN-BARKING-TASTICAL. Really. The color changes made connections yet were still slightly confusing, but in a good way that makes me want to sit down and watch it repeatedly to figure out what the meaning was or if I'm missing a deeper portion. And how everything led to one another... and just... Grah. I love this. A lot.
<3
(and just for future reference, most every one of the videos that this creator puts up is of similar quality. Those will probably get similar rants of awesome.)
Overall Rating: FF 10/10 (and normal 10/10 too, I'd think)
Song: "L'Assasymphonie" (or "The Assassinate Symphony") by Mozart L'Opera Rock
Lyrics: (orig and transl) lyrictranslate
Theme: Autor (and jealousy)
Spoilers: No (lack of context if it's not already known)
Review: This. All of this. *gestures* YES.
I have to admit that this was the first time I heard this song, and I LOVE the song, so there is a wee bit of bias. BUT it and the video together are just fantastical, and that's what I'm commenting on here. I will endeavor to say what I can about this amazingtastical video, but again today I am limited on the amount of time I have, so I'll get going!
First off: That intro. Beautiful setup. It's a bit questionable in the first few seconds, but it just draws you in and within 20 seconds you have the entire premise of the tone, feelings, characters, etc. It's gorgeous.
The interspersing of talking and such with Autor's stalking is great. Really sets a 'hold-it-in-yet-ready-to-burst' feel, and the music/talking draws you in. And his utter joy at Fakir's frustrations... Throughout the video! Always gives me chills. Alwaaayyysss. And looking up the lyrics just makes it more epic! "I dedicate my nights/ to the assasymphony/ To requiems/ killing by frustration/... I confess I curse/ all those who love each other." Interspersed with the happy faces of all who are enamored with Fakir, or at least are fans... Mraaahh. Fantastical.
Then the next verse. Drosselmeyer. Even if you don't know the words, it's obvious that he's taunting Autor. A lot. And it gets to Autor. And then, he throws water on the pedigree chart, which he pretty much reveres for the connections it shows with Drosselmeyer. The words give even more light on this: "I deny/ the fatal heresy/ Which gnaws at my soul/" Immediately following, his confrontation with the bookstore owner is "I want to be reborn/ To be reborn." O___o Goodness symbolism and overlapping! I just... wow. That's epic.
And then.......... There's the... assassination of Fakir. ._. Yes. It is beautifully exemplified, the watch-checking is just like Autor, and... and... *spaz*
Then. Theeeen there's Drossy again. Muttering and being the voice in the back of Autor's head. But it's also Autor muttering to himself. And the lyrics are analogies with music, and very well done! How things seem wrong, off... Perhaps the scene with Fakir resisting Autor is a flashback or something.
Becuase then! Then we get to a part where Autor is rescuing Fakir~! Like he had second thoughts about the assassination! Or, since we see writing, perhaps Autor wrote something that actually changed things so that Fakir would live...? I don't even know.
BUT THEN. He leads Fakir into the place, and he's got crows waiting for him!! Like another assassination! Or attack or something!
But then, after a while, even though Fakir collapses, Autor lets Duck in to see him... Perhaps he's not entirely dead, just really beat up because Autor wanted revenge/to take out anger on him in some fashion. Or... maybe he didn't make it...? I can't tell. Both are crazy and awesome and just-
And then Drossylmeyer. It has to end with him. Laughing. *wide-eyed-serious-face*
Ok, so when I get frantic, especially about things I enjoy, I type more. But really. And real quick, as if the video in and of itself weren't enough, the effects/clip usage was FAN-BARKING-TASTICAL. Really. The color changes made connections yet were still slightly confusing, but in a good way that makes me want to sit down and watch it repeatedly to figure out what the meaning was or if I'm missing a deeper portion. And how everything led to one another... and just... Grah. I love this. A lot.
<3
(and just for future reference, most every one of the videos that this creator puts up is of similar quality. Those will probably get similar rants of awesome.)
Overall Rating: FF 10/10 (and normal 10/10 too, I'd think)
Tuesday, June 17, 2014
Hero
All you who love stories, gather round...
Song: "Hero" by Skillet
Lyrics: azlyrics
Theme: Autor/Duck, Fakir/Rue
Spoilers: No
Review: This is a very interesting video, mostly for me because I'd never heard of the Autor & Duck pairing before finding this video. Now I will have to say that, even with the video, it's not really something I can see very easily. Nor is Fakir & Rue for me, but it's at least more plausible. Although that's mostly because of a personal headcannon of mine that they're actually related... But that doesn't talk for the quality of the video.
I love this song. And it's actually rather good for the series, too. For the topic of pairings, I think it fits with Fakir & Rue fairly well - both of them are desperately trying to be their own heroes, superhumans (and sometimes partially succeeding), but never are quite enough. The need another person, they need help. I really love the overlays with Fakir and the knight symbolism, how he tries to be that but he's not. The parts with the oak tree are aptly placed, too. And then Rue, who just tries everything within her power... and it's still not enough.
With Autor and Duck, I can see the saving on Duck's side a little bit, but it's not as nicely fitted. There is a bit of a nice piece near the middle where it seems Fakir's about to get onto Autor regarding Duck, but then she (or Autor?) convinces him otherwise... It took me a few times to catch it, though.
I also kind-of like the ending. I have to say kind-of, because it also confuses me. I don't really know what's happening, or being conveyed. But it's put together well enough that I still like it.
That brings me to the overall video compilation. Tis very well put together! Despite my hesitancy regarding the theme, I still enjoy this video. The timing is great, and the effects are generally used very well. There does seem to be an abundance of effects, though, like the creator was almost having too much fun with them, but it still works pretty well overall.
I enjoy this video. It puts forth some different pairings pretty well, and it makes the clips work for the song/vise versa.
Sorry, but I'm running short on time so that' all I can say!
Overall Rating: 6/10
Song: "Hero" by Skillet
Lyrics: azlyrics
Theme: Autor/Duck, Fakir/Rue
Spoilers: No
Review: This is a very interesting video, mostly for me because I'd never heard of the Autor & Duck pairing before finding this video. Now I will have to say that, even with the video, it's not really something I can see very easily. Nor is Fakir & Rue for me, but it's at least more plausible. Although that's mostly because of a personal headcannon of mine that they're actually related... But that doesn't talk for the quality of the video.
I love this song. And it's actually rather good for the series, too. For the topic of pairings, I think it fits with Fakir & Rue fairly well - both of them are desperately trying to be their own heroes, superhumans (and sometimes partially succeeding), but never are quite enough. The need another person, they need help. I really love the overlays with Fakir and the knight symbolism, how he tries to be that but he's not. The parts with the oak tree are aptly placed, too. And then Rue, who just tries everything within her power... and it's still not enough.
With Autor and Duck, I can see the saving on Duck's side a little bit, but it's not as nicely fitted. There is a bit of a nice piece near the middle where it seems Fakir's about to get onto Autor regarding Duck, but then she (or Autor?) convinces him otherwise... It took me a few times to catch it, though.
I also kind-of like the ending. I have to say kind-of, because it also confuses me. I don't really know what's happening, or being conveyed. But it's put together well enough that I still like it.
That brings me to the overall video compilation. Tis very well put together! Despite my hesitancy regarding the theme, I still enjoy this video. The timing is great, and the effects are generally used very well. There does seem to be an abundance of effects, though, like the creator was almost having too much fun with them, but it still works pretty well overall.
I enjoy this video. It puts forth some different pairings pretty well, and it makes the clips work for the song/vise versa.
Sorry, but I'm running short on time so that' all I can say!
Overall Rating: 6/10
Monday, June 16, 2014
[A/S] Pas de Deux
All you who love stories, gather round...
Song: "Lune Noir" by Sonitus Vir
Theme: Unknown|N/A
Spoilers: Yes (mild; out of context)
Awards: Honorable Mention in the Anime America's AMV Contest 2012
Review: I think this is an interesting video! I like it, but there are some parts that just throw me off too much to really allow a full endorsement/comprehension of the video. That, and there's no overall theme. While it looks pretty and fun, the lack of a theme or even overarching focus puts me off.
The beginning is great and attention-getting. I do like the sudden throw-you-into-the-fray quality of the music, and the usage of the prologue story elements is great. From about :25-:45, though, it seems a bit hectic. The timing with the music is pretty darn close, but the utter frequency and craziness of it feels a little much. I could probably handle it better if it were the only piece like that, but then it comes again at 1:45-2:05 ish. That is crazy random throw-this-together-ness. Timing was there... somewhere... The music was a similar pace as the others, but the clips just went aaaall over the place. *sigh* Maybe I'm being finicky since it is such a 'small' part, but the insane energy imparted in those little bits affects the whole video. I mean at 1:00-05, it was crazy music, but the theme of Kraehe and Mytho was still being carried. It was a bit hard to distinguish at first, but it was there.
The song itself is good, though, and the rest of the video is fantastic! Far be it to say that I didn't like the music so that's why I don't like the editing at those particular parts - it was just that it threw me off quite a bit. I mean the video started as seemingly a dance tribute in general, but then.... it just throws everything at you. Well, almost everything. Sort of. It's hard to tell, because of the speed of changes and lack of context.
But it's pretty~ :3
Back to the slower portions: they are gorgeous. Part of it is the fact that the clips were used more coherently together and with the music. Part of it may be that it was a little slower. Mostly, I think it was because they had themes! Or at least topics. Rue, Duck/Tutu, Kraehe/Mytho... Being able to single out something that unified the parts, even just to themselves, was great. Perhaps it's in contrast to the chaos of the faster parts that I also love these parts so much...
Overall, it's a crazy, random video that is good to watch for most parts, but don't expect to come away with much except a general: "That was really cool! .... But what was it?" I like it, but I still can't explain exactly why or what about it. And then there are the irritating parts. But I still will watch it repeatedly~ XD
Overall Rating: 7/10
Song: "Lune Noir" by Sonitus Vir
Theme: Unknown|N/A
Spoilers: Yes (mild; out of context)
Awards: Honorable Mention in the Anime America's AMV Contest 2012
Review: I think this is an interesting video! I like it, but there are some parts that just throw me off too much to really allow a full endorsement/comprehension of the video. That, and there's no overall theme. While it looks pretty and fun, the lack of a theme or even overarching focus puts me off.
The beginning is great and attention-getting. I do like the sudden throw-you-into-the-fray quality of the music, and the usage of the prologue story elements is great. From about :25-:45, though, it seems a bit hectic. The timing with the music is pretty darn close, but the utter frequency and craziness of it feels a little much. I could probably handle it better if it were the only piece like that, but then it comes again at 1:45-2:05 ish. That is crazy random throw-this-together-ness. Timing was there... somewhere... The music was a similar pace as the others, but the clips just went aaaall over the place. *sigh* Maybe I'm being finicky since it is such a 'small' part, but the insane energy imparted in those little bits affects the whole video. I mean at 1:00-05, it was crazy music, but the theme of Kraehe and Mytho was still being carried. It was a bit hard to distinguish at first, but it was there.
The song itself is good, though, and the rest of the video is fantastic! Far be it to say that I didn't like the music so that's why I don't like the editing at those particular parts - it was just that it threw me off quite a bit. I mean the video started as seemingly a dance tribute in general, but then.... it just throws everything at you. Well, almost everything. Sort of. It's hard to tell, because of the speed of changes and lack of context.
But it's pretty~ :3
Back to the slower portions: they are gorgeous. Part of it is the fact that the clips were used more coherently together and with the music. Part of it may be that it was a little slower. Mostly, I think it was because they had themes! Or at least topics. Rue, Duck/Tutu, Kraehe/Mytho... Being able to single out something that unified the parts, even just to themselves, was great. Perhaps it's in contrast to the chaos of the faster parts that I also love these parts so much...
Overall, it's a crazy, random video that is good to watch for most parts, but don't expect to come away with much except a general: "That was really cool! .... But what was it?" I like it, but I still can't explain exactly why or what about it. And then there are the irritating parts. But I still will watch it repeatedly~ XD
Overall Rating: 7/10
Sunday, June 15, 2014
At the Beginning
All you who love stories, gather round...
Song: "At the Beginning" (from Anastasia) by Donna Lewis and Richard Marx
Lyrics: azlyrics
Theme: Fakir and Duck, Fakiru
Spoilers: Yes
Review: This song has a wonderful theme that is fantastic to see put to such great use as in this video!
At the beginning of the first chorus, there's the desires to continue with life from when Tutu/Duck was stuck in Drosselmeyer's world. "Life is a road that I wanna keep going"; no matter what you say, Drosselmeyer! I think the thing I like best is how beginnings are highlighted, and the journey through them (lyric-wise and with footage); even though they've been through a lot, and things seem to be over, there's so much more yet ahead~ <3 I also really love the bridge verse and the following chorus (about 2:04-55); it goes through their relationship so well, or at least reviews it wonderfully.
Now, I do think that the overlaying was used a bit much. It was all to good effect, and sometimes more powerfully than others, but I think points could have been made simply by putting sequences around each other, not always overtop of one another. Also, while many of the clips were used in excellent points, lyrically and musically, there were a few places that just kind-of felt like filler. (Ex: 1:40-48, 3:04-12, 1:20-27) Not that it was bad filler; but it was filler.
So overall, I really enjoy this video. It's a great song for the couple, and in fact a great song for the series in general! Beginnings, journeys, unexpected turns... And the editing is really nicely used most of the time. I'd recommend this to a fan of the couple, but I'm not sure it'd exactly convince anyone not already on the bandwagon~ :3 (although it'd do a pretty nice go at it)
Overall Rating: 8/10
Song: "At the Beginning" (from Anastasia) by Donna Lewis and Richard Marx
Lyrics: azlyrics
Theme: Fakir and Duck, Fakiru
Spoilers: Yes
Review: This song has a wonderful theme that is fantastic to see put to such great use as in this video!
At the beginning of the first chorus, there's the desires to continue with life from when Tutu/Duck was stuck in Drosselmeyer's world. "Life is a road that I wanna keep going"; no matter what you say, Drosselmeyer! I think the thing I like best is how beginnings are highlighted, and the journey through them (lyric-wise and with footage); even though they've been through a lot, and things seem to be over, there's so much more yet ahead~ <3 I also really love the bridge verse and the following chorus (about 2:04-55); it goes through their relationship so well, or at least reviews it wonderfully.
Now, I do think that the overlaying was used a bit much. It was all to good effect, and sometimes more powerfully than others, but I think points could have been made simply by putting sequences around each other, not always overtop of one another. Also, while many of the clips were used in excellent points, lyrically and musically, there were a few places that just kind-of felt like filler. (Ex: 1:40-48, 3:04-12, 1:20-27) Not that it was bad filler; but it was filler.
So overall, I really enjoy this video. It's a great song for the couple, and in fact a great song for the series in general! Beginnings, journeys, unexpected turns... And the editing is really nicely used most of the time. I'd recommend this to a fan of the couple, but I'm not sure it'd exactly convince anyone not already on the bandwagon~ :3 (although it'd do a pretty nice go at it)
Overall Rating: 8/10
Tuesday, June 10, 2014
Brief Absence
Letting you all know that I'll be camping the next 3 days or so, so there won't be any updates during that time. So I'm not just being neglectful (I've been better lately!), but I shall not be with any technology for those couple of days so internet is definitely out. :p
Meantime, enjoy the videos that are up!
Meantime, enjoy the videos that are up!
Still Doll
All you who love stories, gather round...
Song: "Still Doll" (Vampire Knight ending theme) by Wakeshima Kanon & Mana
Lyrics: animelyrics (also in Youtube description)
Theme: Kraehe/Rue and Duck and their love of Mytho (mainly how it causes problems)
Spoilers: No
Review: This is a really pretty video, and the song has just enough elegance and off-kilter-ness/creepiness to fit both Rue's and Duck's situations.
I love the opening with the fairytale pieces, monocromicity with the pointed cello and violin accents... Really fits well. And then the chimes come in with the girls~ Fantastic alignment!
I really like that the creator interspersed both girls throughout, but there were times when I thought maybe there could have been more focus on just one of them, like for an entire verse or something. It would have felt more composed/coherent, I believe. Still flows nice as is, though.
The lyrics go rather nicely, "my heart is torn and bleeding/ I mend it but/ the memories pierce the openings." But while this fits both girls, Rue and her memories of Kraehe (or Tutu), Tutu/Duck and her memories of the curse and her being a duck, the lack of focus on a single point kind-of detracts from the awesomeness.
I will say that I really like the violin going all crazy when Rue's accepting herself as Kraehe. Also, as it gets into the last verse, the song talks about how "I can't sing songs of love anymore," which coincides with Kraehe crying and Tutu falling. Then the poignant "Still you do not answer..." while they both cry out. The ending with Rue doing her Macabre Dance is beautiful, as well.
I feel I have to say that this piece as a whole lacks coherency, though. Even if you're not watching it for the lyrics, or don't care how those match, it seems to not quite hold together. It's beautiful, and very nice to watch, but I feel like it could've been more.
Overall Rating: 6/10
Song: "Still Doll" (Vampire Knight ending theme) by Wakeshima Kanon & Mana
Lyrics: animelyrics (also in Youtube description)
Theme: Kraehe/Rue and Duck and their love of Mytho (mainly how it causes problems)
Spoilers: No
Review: This is a really pretty video, and the song has just enough elegance and off-kilter-ness/creepiness to fit both Rue's and Duck's situations.
I love the opening with the fairytale pieces, monocromicity with the pointed cello and violin accents... Really fits well. And then the chimes come in with the girls~ Fantastic alignment!
I really like that the creator interspersed both girls throughout, but there were times when I thought maybe there could have been more focus on just one of them, like for an entire verse or something. It would have felt more composed/coherent, I believe. Still flows nice as is, though.
The lyrics go rather nicely, "my heart is torn and bleeding/ I mend it but/ the memories pierce the openings." But while this fits both girls, Rue and her memories of Kraehe (or Tutu), Tutu/Duck and her memories of the curse and her being a duck, the lack of focus on a single point kind-of detracts from the awesomeness.
I will say that I really like the violin going all crazy when Rue's accepting herself as Kraehe. Also, as it gets into the last verse, the song talks about how "I can't sing songs of love anymore," which coincides with Kraehe crying and Tutu falling. Then the poignant "Still you do not answer..." while they both cry out. The ending with Rue doing her Macabre Dance is beautiful, as well.
I feel I have to say that this piece as a whole lacks coherency, though. Even if you're not watching it for the lyrics, or don't care how those match, it seems to not quite hold together. It's beautiful, and very nice to watch, but I feel like it could've been more.
Overall Rating: 6/10
Monday, June 9, 2014
Requiem for a Swan (AU)
All you who love stories, gather round...
Song: "Sorrow" (from Resident Evil 4) by Misao Senbogi and Shusaku Uchiyama
Theme: AU where Duck is a girl granted Tutu's form by Drosselemeyer, Kraehe wins Mytho, Fakir fulfills the knight's role (as per Drosselmeyer), and Duck sinks into Despair (full summary in Youtube description)
Spoilers: No
Review:This is a rather intriguing AU. The clips are arranged well, and the music fits the simplicity of the story with elegance. The climax with Rue and the music was very nicely pulled off~ Background music has a way of helping stories, it seems.
It got a little bit bland when the underground lake scene seemed to just be put in as it was, but from a fanfiction POV it makes sense. It just felt a little repetitive to be watching most of it again.
I did like the little extra pieces that changed things up a bit, more so in the second half. More effort seemed to have been put in these.
But I will say that Fakir's part just felt like a random flourish to include him in the plot. Maybe that was all he was meant to do, but it still felt rather... pointless. Yes, I would be mortified if he truly hadn't survived, as was Tutu/Duck was. But for this particular AU, there was not enough buildup to merit such feeling. The story says she just happened to find him after getting attacked by crows, and they decided to fight Kraehe together for the Prince. Yes, she would be horrified that he got attacked and killed on principle, but that's it. Maybe I'm making a bigger deal of it than needs to be, but Fakir's part in this story/video is really unnecessary.
The last bit was rather nicely put together, but I wish there had been a little more 'explanation' time in the clips. Tutu is just one moment watching Kraehe taking over Mytho's heart and soul, the next Duck is on a bridge with Drosselmeyer. It's just a bit sudden.
Overall, it's a nice idea, and rather nice music. It gets a bit droll over time, though, mostly because of the repetition of the dance off scene and the music. If it had been just one or the other I might not have been bothered nearly as much, but together it's a bit much.
Overall Rating: FF 5/10
Song: "Sorrow" (from Resident Evil 4) by Misao Senbogi and Shusaku Uchiyama
Theme: AU where Duck is a girl granted Tutu's form by Drosselemeyer, Kraehe wins Mytho, Fakir fulfills the knight's role (as per Drosselmeyer), and Duck sinks into Despair (full summary in Youtube description)
Spoilers: No
Review:This is a rather intriguing AU. The clips are arranged well, and the music fits the simplicity of the story with elegance. The climax with Rue and the music was very nicely pulled off~ Background music has a way of helping stories, it seems.
It got a little bit bland when the underground lake scene seemed to just be put in as it was, but from a fanfiction POV it makes sense. It just felt a little repetitive to be watching most of it again.
I did like the little extra pieces that changed things up a bit, more so in the second half. More effort seemed to have been put in these.
But I will say that Fakir's part just felt like a random flourish to include him in the plot. Maybe that was all he was meant to do, but it still felt rather... pointless. Yes, I would be mortified if he truly hadn't survived, as was Tutu/Duck was. But for this particular AU, there was not enough buildup to merit such feeling. The story says she just happened to find him after getting attacked by crows, and they decided to fight Kraehe together for the Prince. Yes, she would be horrified that he got attacked and killed on principle, but that's it. Maybe I'm making a bigger deal of it than needs to be, but Fakir's part in this story/video is really unnecessary.
The last bit was rather nicely put together, but I wish there had been a little more 'explanation' time in the clips. Tutu is just one moment watching Kraehe taking over Mytho's heart and soul, the next Duck is on a bridge with Drosselmeyer. It's just a bit sudden.
Overall, it's a nice idea, and rather nice music. It gets a bit droll over time, though, mostly because of the repetition of the dance off scene and the music. If it had been just one or the other I might not have been bothered nearly as much, but together it's a bit much.
Overall Rating: FF 5/10
Sunday, June 8, 2014
Never Knew Daylight Could Be So Violent
All you who love stories, gather round...
Song: "No Light, No Light" by Florence + The Machine
Lyrics: azlyrics
Theme: (good question...)
Spoilers: Yes
Review: ... I like the idea of putting this song and Princess Tutu together. I like how the clips themselves were put together and synched up with the music. But I'm afraid that's all I can really gather from this video.
There were some parts where the clips seemed to match up with the lyrics a bit, but only in literal form. Any semblance of a theme or focus was... undetectable, at least for me. The effects were nice, and the video was lined up with the song's beat and rhythm well. Occasionally the lyrics matched as well, maybe in deeper-than-literal forms if you thought about it. But... I just don't see much from this video.
I wish I had more to say, but it just leaves me feeling confused. I love the song, and I love Princess Tutu. I think they would go great together. This just isn't the way to do it.
Now, that's not to say this video is horrible. I've watched it multiple times and don't feel disturbed (in a bad way) or angry or anything. Just... confused. So I keep watching it. It's one of those 'I don't hate it, but I don't like it... what the heck is it??' things. So I try to keep investigating.
Unfortunately, all I've gathered from my studies is that this video is a good idea that didn't get the focus it needed. (which is weird because the effects suggest otherwise...)
Overall Rating: 4/10
Song: "No Light, No Light" by Florence + The Machine
Lyrics: azlyrics
Theme: (good question...)
Spoilers: Yes
Review: ... I like the idea of putting this song and Princess Tutu together. I like how the clips themselves were put together and synched up with the music. But I'm afraid that's all I can really gather from this video.
There were some parts where the clips seemed to match up with the lyrics a bit, but only in literal form. Any semblance of a theme or focus was... undetectable, at least for me. The effects were nice, and the video was lined up with the song's beat and rhythm well. Occasionally the lyrics matched as well, maybe in deeper-than-literal forms if you thought about it. But... I just don't see much from this video.
I wish I had more to say, but it just leaves me feeling confused. I love the song, and I love Princess Tutu. I think they would go great together. This just isn't the way to do it.
Now, that's not to say this video is horrible. I've watched it multiple times and don't feel disturbed (in a bad way) or angry or anything. Just... confused. So I keep watching it. It's one of those 'I don't hate it, but I don't like it... what the heck is it??' things. So I try to keep investigating.
Unfortunately, all I've gathered from my studies is that this video is a good idea that didn't get the focus it needed. (which is weird because the effects suggest otherwise...)
Overall Rating: 4/10
Saturday, June 7, 2014
HOWL
All you who love stories, gather round...
Song: "Howl" by Florence + The Machine
Lyrics: azlyrics
Theme: Rue/Mytho
Spoilers: Yes
Review: Florence + The Machine is generally an awesome choice for a PT AMV. This video is no exception~
The symbolism of searching for a beating heart plays wonderfully into Rue and Mytho's relationship, although also almost ironically. Blood, chasing, needing... all fantastic thematic overlays. And the constant switching of lyrical matching between Rue and Mytho is really interesting, showing that they both are a part of this overpowering need for each other in their times.
That said, the constant switch also felt a bit confusing at times. Maybe I have a personal bias because I think there are more clips that seem to focus on Rue's POV so I feel like changing that POV should be more obvious or consistent, but I can also see where I might be overanalyzing it. (Perhaps I'm just partial to Rue. XD' )
One thing I cannot simply pass off though is the crazy ambiance/light/glowing. I understand the black and white theme, some flashes or a little glare on occasion for emphasis. But the overwhelming usage of it just gets distracting for me.
Alright, back to a more thematic part. I really like "Be careful of the curse that falls on young lovers/ Starts so soft and sweet and turns them to hunters." The clips used were mostly pertinent, and certainly effective. I would have liked to see a bit more played with that, though, perhaps with Rue's struggles. Which could have happened, if more verses later were used.
That's my final 'mreh' point: this doesn't use the full song! But the creator does acknowledge this and it's actually one of their first longer videos, so I feel I should cut a bit of a break there.despite frustration...
So overall this is a nice video, with a great theme/song choice. I just would have liked it to be longer, and gotten rid of the overarching glare effect.
Overall Rating: 7/10
Song: "Howl" by Florence + The Machine
Lyrics: azlyrics
Theme: Rue/Mytho
Spoilers: Yes
Review: Florence + The Machine is generally an awesome choice for a PT AMV. This video is no exception~
The symbolism of searching for a beating heart plays wonderfully into Rue and Mytho's relationship, although also almost ironically. Blood, chasing, needing... all fantastic thematic overlays. And the constant switching of lyrical matching between Rue and Mytho is really interesting, showing that they both are a part of this overpowering need for each other in their times.
That said, the constant switch also felt a bit confusing at times. Maybe I have a personal bias because I think there are more clips that seem to focus on Rue's POV so I feel like changing that POV should be more obvious or consistent, but I can also see where I might be overanalyzing it. (Perhaps I'm just partial to Rue. XD' )
One thing I cannot simply pass off though is the crazy ambiance/light/glowing. I understand the black and white theme, some flashes or a little glare on occasion for emphasis. But the overwhelming usage of it just gets distracting for me.
Alright, back to a more thematic part. I really like "Be careful of the curse that falls on young lovers/ Starts so soft and sweet and turns them to hunters." The clips used were mostly pertinent, and certainly effective. I would have liked to see a bit more played with that, though, perhaps with Rue's struggles. Which could have happened, if more verses later were used.
That's my final 'mreh' point: this doesn't use the full song! But the creator does acknowledge this and it's actually one of their first longer videos, so I feel I should cut a bit of a break there.
So overall this is a nice video, with a great theme/song choice. I just would have liked it to be longer, and gotten rid of the overarching glare effect.
Overall Rating: 7/10
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